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  • © Photo: Ennevi | Courtesy of Fondazione Arena di Verona
    © Photo: Ennevi | Courtesy of Fondazione Arena di Verona
  • © Photo: Ennevi | Courtesy of Fondazione Arena di Verona
    © Photo: Ennevi | Courtesy of Fondazione Arena di Verona
  • Il Barbiere di Siviglia, © Photo: Ennevi | Courtesy of Fondazione Arena di Verona
    Il Barbiere di Siviglia, © Photo: Ennevi | Courtesy of Fondazione Arena di Verona
  • Arena di Verona, © Photo: Ennevi | Courtesy of Fondazione Arena di Verona
    Arena di Verona, © Photo: Ennevi | Courtesy of Fondazione Arena di Verona

Star Roof Experience: Il Barbiere di Siviglia | Arena di Verona

Verona, Arena di Verona

Seating plan Best seats  4 h 30 min Give as a gift card

Select tickets

Total Price
$ 1149

About the Event

Combine your opera experience with the exclusive Star Roof Experience.

The Star Roof Experience takes place on the terrace of the stars, a hidden gem known by few, including the locals of Verona themselves. This unique setting is situated between the first ring of the Arena and the surviving wing, which has stood as a symbol of the amphitheater since the 1117 earthquake. From this vantage point, you will be treated to a breathtaking view of Piazza Bra and its historic Liston, perpetually bustling with visitors.

Before the opera, only 24 special guests will have access to this magical place, to enjoy a Michelin‐starred dinner before being taken directly to the ‘open‐air royal box’ to attend the opera.
The goal of this initiative is to collect funds, alongside Verona’s Municipality
and the Department responsible for Archaeology, Fine Arts and Landscape
for the provinces of Verona, to preserve such a unique monument as the Arena.

Once the dinner concludes, you will be escorted to the coveted front‐row seats to savor the opera performance. During the intermission, you will have exclusive access to a designated area where a personalized courtesy service awaits you.

Surrender to the charms of an evening in a Spanish garden, as the Arena di Verona is transformed by Hugo de Ana's staging of Rossini's sparkling comic opera.

Join Rosina and Almaviva, Doctor Bartolo and the city's omnipresent general factotum — the irrepressible Figaro — amidst the oversize roses for tricks and disguises, plots and plans, and Rossini's scintillating score!

'The Barber of Seville is an opera buffa in two acts composed by Rossini in 1813. The libretto, by Cesare Sterbini, was based on the French comedy “Le Barbier de Seville” (1775) by Beaumarchais. Count Almaviva, a rich young Spanish nobleman, falls in love with Rosina, a young, but not entirely‐defenseless orphan. Rosina's elderly guardian is determined to marry her, but with the help of the cunning barber. Figaro, young love prevails!

Act 1
Count Almaviva is in love with Rosina, the ward of Dr.Bartolo. He pretends to be the poor student ''Lindoro'' as he serenades his beloved.

Figaro, formerly the Count's servant and now a barber in Seville, arrives to tell the Count that Bartolo plans to marry Rosina for her inheritance. Rosina appears on the balcony with a note for the handsome young man who has been serenading her.

Bartolo is suspicious of his ward’s furtive behavior, and determined to expedite his marriage plans. Leaving instructions that no one may enter the house, Bartolo hurries off to organise the wedding. Figaro promises that he can get Almaviva into the house, disguised as a soldier seeking lodging, for a certain sum, of course.

Rosina is determined to marry Lindoro. Figaro tells Rosina that Lindoro is his cousin and is deeply in love with her. Rosina is delighted, and gives him her note to deliver to the supposed Lindoro.

The Count arrives in military dress, only to discover that Dr. Bartolo is exempt from housing soldiers. Almaviva slips Rosina a note, which Bartolo spots, but Rosina quickly substitutes the laundry list. The noise from the ensuing uproar attracts the police, and the Count is forced to discreetly reveal his identity to an officer to avoid arrest.

Act 2
Count Almaviva enters Bartolo’s house again, this time in the guise of Don Alonso, a music teacher. Bartolo falls asleep during the lesson and the Count and Rosina are able to confess their mutual love. Rosina and the Count arrange to elope, but Bartolo catches the lovers out, and the Count and Figaro must flee.

Bartolo convinces Rosina that the Count intended to seduce and then betray her. Furious, Rosina reveals the plan, and agrees to marry Bartolo, who rushes off to fetch the police.

Figaro and Almaviva appear and Rosina confronts her lover. Almaviva reveals his true identity, but the couple’s reconciliation is cut short when the notary that Bartolo requested appears. Figaro persuades the notary to marry Almaviva and Rosina instead. Bartolo returns too late and, left with no choice, blesses the marriage.

Practical Information

- Dedicated concierge
- Exclusive area
- Placé dinner before the show
- Courtesy gift
- 'open air royal box'
- Opera ticket 1st row
- Early Entry: priority access to the venue

A minimum of 2 tickets must be booked.

Included are:
- Ticket to the opera performance in the chosen category
- One month's free access to a premium classical music streaming service
- self‐guided audio tour of Verona in English


  • Gioachino Rossini – Il barbiere di Siviglia
Program is subject to change

Cast / Production

to be announced

Arena di Verona

The Arena di Verona is the third largest Roman amphitheatre still standing. Built around 30 AD, the Arena is also among the best-preserved amphitheatres of the period. Its gigantic dimensions (140 meters long and 100 meters wide), and seating for over 30,000 spectators, ensure it dominates the northern part of Piazza Bra. Excellent acoustics and a fabulous location make it an ideal venue for large-scale opera performances. The monument was re-established as a theatre during the Renaissance, and in 1913 the tradition of opera at the Arena di Verona began with a production of Giuseppe Verdi's 'Aida'.

Gioachino Rossini

Gioachino Rossini was an Italian composer of the 19th century. He made his debut at the age of 18 and soon became one the most popular opera composer in history. His best known operas are The Barber of Seville (Il barbiere di Siviglia), The Italian Girl in Algiers (L'italiana in Algeri), and Cinderella (La Cenerentola). In general, his style can be defined as song-like melodic which earned him the nickname of "the Italian Mozart”. Later on he became famous for his exciting buildup of orchestral sound over a repeated phrase, which is now known as a "Rossini crescendo”.


Arena di Verona, Piazza Bra 28, Verona, Italy — Google Maps

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