Bertrand Chamayou: Théâtre des Champs‐Elysées
Paris, Théâtre des Champs-Élysées — Main Hall
About the Event
Between vignettes and larger‐scale pieces, Bertrand Chamayou will make his keyboard sing without words, but not without eloquence. He will begin by offering us a bouquet of Mendelssohnian romances interspersed with other pieces of the genre by Fauré, Ives, and Wieck‐Schumann, as well as melodies and songs arranged by Liszt and, for the Beatles, Takemitsu. Before concluding the evening with Schubert's famous Fantasia, in which the composer himself revisits one of his Lieder, the Toulouse‐born pianist will explore Eine Kleine Mitternacht Musik (2001), a cycle of seven “ruminations” by George Crumb on Round Midnight (Thelonious Monk). He will also remind us, in echoes of Christmas carols from the East, of his affinities with the meticulous miniaturist Kurtág. The art of broadening horizons.
Program
Mendelssohn Lieder ohne Worte op. 19 n° 1 &2 op. 38 n° 5
Ives Song without (good) words
Mendelssohn Lieder ohne Worte op. 53 n° 4 op. 30 n° 2 op. 53 n° 3 op. 38 n° 2
Fauré Romance sans paroles op. 17 n° 3
Mendelssohn / Liszt Auf Flügeln des Gesanges
Mendelssohn Lied ohne Worte op. 67 n° 4
Clara Schumann Romance en la mineur
Mendelssohn Lieder ohne Worte op. 85 n° 2 op. 30 n° 6 op. 67 n° 5 op. 67 n° 2
Schumann/ Liszt Frühlingsnacht
Lennon & McCartney / Takemitsu Golden slumbers
Schumann/ Liszt Widmung
Crumb Eine kleine Mitternachtsmusik (autour de Round Midnight de Thelonious Monk)
Kurtág Scraps of a Colinda Melody — faintly recollected (hommage à Farkas Ferenc 2) extrait de Jatékok
Schubert Wanderer‐Fantaisie D. 760
Cast / Production
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Artists
| Piano: | Bertrand Chamayou |
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Address
Théâtre des Champs-Élysées, 15, Avenue Montaigne, Paris, France — Google Maps