Thursday, September 18th 2008. 19:00
Theater an der Wien

Programme

Händel, Georg Friedrich:
Ariodante

In a co-production with the Théâtre des Champs-Elysées Paris, the Theater an der Wien presents Händel's "dramma per musica" in three acts under the musical direction of Christophe Rousset (1735).

Händel's thirty-third opera, Ariodante, was written in the midst of the financial and artistic chaos that reigned during the "London opera war". In the face of intense competition from the King's Theatre Händel wrote one of his best operas for Covent Garden. The subject is taken from Ludovico Ariosto's epos Orlando furioso. The intrigue surrounding the knight Ariodante had inspired numerous composers and writers before Händel, including Shakespeare, who used the tale, albeit in humorous vein, for his comedy Much Ado About Nothing.

Ginevra and Ariodante are in love with each other. But Polinesso wants to attain power by marrying Ginevra. He schemes against the lovers and forces Ginevra's confidante Dalinda to dress in Ginevra's clothes and receive him at night. Believing that Ginevra has been unfaithful to him, Ariodante is driven close to suicide. Indeed, he is believed already dead when he foils an attempt to murder Dalinda that was instigated by Polinesso. Dalinda tells Ariodante about Polinesso's plotting. In the meantime, Lurcanio challenges Polinesso to a duel to avenge the supposed death of his brother, Ariodante. Polinesso is mortally wounded, and as he lies dying confesses his disgraceful deed. Ariodante appears incognito to proclaim Ginevra's innocence. Nothing now stands in the way of the wedding of Ginevra and Ariodante.

Händel spent two and a half months working on Ariodante, an unusually long time for him. Both the music and the sensitive portrayal of the various characters are among the most expressive he ever wrote. Furthermore, Händel exploited the artistic potential of the Royal Theatre Covent Garden that opened in 1732 to the full, incorporating choruses and dance as central elements of the plot as well as arias da capo, ariosi and four duets.

Enjoy Händel's Ariodante with the beautiful Austrian mezzosoprano Angelika Kirschläger in the leading role !


The opera is sung in Italian with German surtitles.
Arnold Schoenberg Chor (Chorus director: Erwin Ortner)

Artists

Kirchschlager, Angelika, Soloist
Angelika Kirchschlager is an Austrian mezzo-soprano opera and lieder singer.

In a relatively short time, Angelika Kirchschlager has become one of the most sought after mezzo-sopranos in the opera, recognized for her dramatic skills as well as for her singing. She has been heard on all of the major opera stages of the world and has performed interpritations of Lieder and Oratorios.

Kirchschlager has worked with many distinguished conductors, such as Claudio Abbado, Bertrand de Billy, Sir Colin Davis, John Eliot Gardiner, Christopher Hogwood, James Levine, Kurt Masur, Kent Nagano, Seiji Ozawa, Kurt Sanderling, and Sir Simon Rattle, and sung in many of the great houses of the world. She gives recitals throughout the world and is regular guest of the annual Liederfestival Schubertiade Schwarzenberg in Vorarlberg/Austria together with Helmut Deutsch.

Rousset, Christophe, Soloist
cembalo

Arnold Schoenberg Chor, Orchestra