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Musica a Palazzo: Rigoletto style= Musica a Palazzo: Rigoletto

宫殿的音乐。里戈莱托

威尼斯, 米诺托-巴尔巴里戈宫 (Palazzo Barbarigo‐Minotto) — Tiepolo/Alcova

自由选择座位  2 h  即时电子机票 作为灵活的礼品赠送

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总额
$ 119

演出简介

让自己沉浸在威尔第的杰作《里戈莱托》中，为您在威尼斯的逗留增添另一种难忘的体验。在巴尔巴利戈-米诺托宫令人印象深刻的氛围中，由伟大的歌唱家和音乐家演绎的歌剧的戏剧性力量在烛光中展开了。歌剧是一场巡回演出，每一幕都是在威尼斯最迷人的宫殿之一的不同大厅里进行的。

建于十五世纪的巴尔巴里戈-米诺托宫是一座俯瞰威尼斯大运河的贵族宫殿。宫殿内藏有很多著名艺术家的画品，如意大利著名画家乔凡尼·巴蒂斯塔·提埃坡罗、冯德巴索、米高奇、卡尔波弗洛·马泽蒂以及著名巴洛克建筑师Tencalla的作品。巴尔巴里戈-米诺托宫最初为两座分开的宫殿组成。现今它由面向大运河的
三个大厅以及面向Rio Zaguri的另外三个大厅组成。宫殿内部有一座非常特别的17世纪小教堂。教堂的榆木地板为路面十四风格并由橄榄根镶嵌。相同风格的胡桃木门上镶有藤叶形状的青铜手柄。宫殿内还有结合了水磨石和威尼斯pastellone技术的地板。这些都深深吸引来自世界各地的“朝圣者”。

在这座宫殿现今常年举办充满激情的歌剧表演，比如在宫殿内不同房间内的作曲家威尔第的《茶花女》。

Rigoletto是一部关于激情、背叛、孝道和复仇的激烈戏剧。这部悲剧的核心主题是引发里戈莱托不可阻挡的悲惨堕落的诅咒：'整个主题都在那个诅咒中，那甚至变成了道德'（G. Verdi）。

歌剧的第一幕是在Tiepolo的房间里，Anthony Knight的精彩服装受到18世纪风格的启发，完美地支持了宫殿中奢华的巴洛克式家具。

里戈莱托的故事在皇宫的大厅里发展，烛光营造出卡拉瓦乔画作的背光效果，使歌剧的戏剧性更加突出。

在演出的中场休息期间，在面向大运河的神奇环境中，Musica a Palazzo为您提供一杯普罗塞克、软饮料和优质甜酒。

用意大利语演唱，无字幕

实用信息

时间。约2小时，包括中场休息。

请注意：在正式开放时间（晚上8点）之前，客人不允许进入场地。

着装要求。休闲优雅

请注意本音乐会地点的场地信息、方向和地图。

请注意：Musica a Palazzo是一个正式注册的文化协会。听众成员购买会员卡（价格如图所示），包括个人身份资料。此卡涵盖了活动的入场券。不需要其他费用或门票。

请注意，这些表演不适合5岁以下的儿童。

演出曲目

  • 朱塞佩·威尔第 – 弄臣
曲目内容以当天演出为准

点评

4.7 of 5

  • Mark L, United Kingdom

    05月 2025年

    Sadly the description over‐promises and under‐delivers enormously. The description of the performance "set in one of the most fascinating Venetian palaces" allows one to think that the setting will be opulent, beautiful, palatial even; that could not be further from the truth! The "palace", if indeed that's what it is, is far from palatial. It's a run‐down house with little glamour or even comfort to offer the paying public. Instead, dressed befitting to the splendour one is expecting, one finds oneself in a cold, unwelcoming foyer, waiting in line for the doors to open (well, a cord to be unhooked by a shambolically dressed lad actually). When we reach the top of the stairs and into the main room of the house we are requested to take our seats in the room "down the end on the right" where we were met with about 70 wooden chairs to choose our seat from, as if in a school hall, in rows of 10 or less, a couple of small sofas, a piano and two chairs for the orchestra. Almost all of the audience sat down, looking around the room in bewilderment, each wondering if they'd been part of a live audience joke. To be honest, once we'd all realised that this was it, the shock turned to nervous laughter, hoping that the next couple to walk in dressed to the nines would also make the same contorted ignominious faces and quickly shuffling themselves along to an empty seat so as not to bring further attention to themselves. Come the performance, well, I can say that this was far from operatic. The cast and performance was nothing more than amateur dramatics; one of the characters even shouting rather than signing his lines. Upon the conclusion of the first act, and each thereafter, the audience is requested to move rooms too, which is somewhat bizarre, but hey, by that time nothing was going to surprise us. So, as you can probably determine, we'll not be rushing back any time soon. Save your money, dress up at home and watch The Snowman for the 27th time and marvel at the splendour of a teenage Aled Jones singing Walking in the Air; you'll be grateful you did, I promise ;-)

  • Martin L, Österreich

    08月 2024年

    bravissimo, perfetto! spezial bravo to the pianist

  • Robert C, Netherlands

    01月 2024年

    We thoroughly the intimacy of this performance.

  • Sergio Andres Q, Colombia

    10月 2019年

    The starring is amazing, all the performance was excelent.

  • ILYA B, Israel

    02月 2019年

    Excellent unforgettable performance ! Beautiful voices in beautiful music, magic atmosphere of miracle.

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地址

米诺托-巴尔巴里戈宫 (Palazzo Barbarigo‐Minotto), Fondamenta Duodo O Barbarigo, 威尼斯, 意大利 — 查看谷歌地图

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