The Forsythe Company at the Holland Festival 2008

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William Forsythe's DECREATION is choreographed after an Essay by Anne Carson.

An artificial opera of deformation, tenderness and rage emerges as DECREATION unfolds. Dialogues, characters and physical commands migrate through the dancers; a rapid, slithering switch from body to body. Sound is transformed, weeps and soars through the throats, the bodies, which move in a constant, oblique tension.
All communication is mediated, detoured, in a seamless flow of configuration, displacement, vacuum and vision. The piece re‐forms itself continually around three questions which tell of the progression of the soul. From three parts, to two parts, to one.