Biglietti in vendita fino a venerdì, 17 febbraio 2012, 21:00

Programma di

Chopin, Frederic:
Various Works

Beethoven, Ludwig van:
Various Works

Mozart, Wolfgang Amadeus:
Various Works

de Arquer, Luis:
Improvisations

(Il programma può essere soggetto a variazioni)

Lo spettacolo 'Solo Piano'

"Solo Piano" è una rassegna di concerti, tenuti ogni sabato sera nel più piccolo teatro del mondo a Barcellona.

Il grande compositore e pianista Luis de Arquer lascia spazio nella sua casa al più piccolo teatro del mondo "El Teatre més Petits del Món), che offre una splendida atmosfera per la musica di Chopin, Beethoven, Mozart e dello stesso Arquer.

La serata si conclude con un bicchiere di champagne nel suggestivo giardino.

Rimarrete entusiasti dopo questa serata!

Ultimo aggiornamento 2012 Redazione di Classictic.com

"Classictic è il legame vitale tra coloro che hanno bisogno di promuovere i loro concerti e festival, e coloro che vogliono un modo semplice per scoprire e prenotare i biglietti per i concerti di musica classica.", Classical Music Now, Luglio 2010

"È entusiasmante vedere un team di appassionati di musica che cerca di offrire un servizio che è al tempo stesso di portata internazionale ma accessibile e adeguato alle esigenze di ogni cliente." Muso Magazine, Luglio 2010

Artisti dello spettacolo Solo Piano

de Arquer, Luis

, Solista
He began his studies in Cerdanyola del Vallés, a small town near Barcelona, coming from a family of great artists and music lovers. During his first lessons, one of Beethoven’s sonatas interpreted by his first teacher, Lolita Martínez, made such a profound impact on him that it was at this moment he decided to dedicate his young life to music. At the tender age of seven, he improvised different styles on the piano, including Bach, Chopin and Beethoven, captivating the public with his enormous ability and musical imagination. His rapid progress opened the door to the Academia Marshall in Barcelona; a meeting place in the past for the finest musicians of the time: Granados, Falla, Albéniz, Turina, and interpreters of the calibre of Rubinstein, Arrau, Katchen, Nikita Magaloff and Rosa Sabater. He finished studies with First Prize and special commendation from the Board! Carlota Garriga, his teacher, the great soloist Alicia de Larrocha and composer Xavier Montsalvatge were inspired by his talent and decided to support him so that he could continue his studies at L’Ecole Normale de Musique de Paris. Here, thanks to a scholarship from the Generalitat de Catalunya, he perfected his study technique under Aquiles Delle-Vigne. Unfortunately, even having obtained the best qualifications and having been invited by special request to attend a school for exceptionally gifted musicians in Brussels, he was not awarded a second scholarship. The young musician thus experienced a difficult and unstable time of irregular concert work due to a lack of available support and management. Nevertheless, he always received wonderful reviews which hailed him an extremely sensitive, original and talented interpreter. He performed in Ecuador, Switzerland and France, in recitals in Spain, and in concerts with various Spanish and foreign orchestras. All his previous artistic experience would provide Luis de Arquer with both an artistic and technical foundation from which would develop the most surprising facet of his work, and that which today arouses the greatest interest: his compositions and improvisations. Improvisation is the most direct link between musical imagination and music per se. To be completely fluent, it requires the highest technical mastery of the instrument combined with acute musical and rhythmical intuition. Beethoven, Chopin, Granados and Liszt improvised in public in their concerts, all absorbing themselves in their musical worlds. Luis de Arquer gives us the chance to hear something unique, created in the moment and very freely developed. His improvisations enable us to hear directly the soul of a musician, without imposing filters of any kind, nor stylistic nor musical genre constraints like Jazz or Blues, nor preknown structures. His compositions —pieces for piano, operas, anthems, chamber music, and cinema, documentary and advertising soundtracks— are all absorbed from this place, from this personal well of ideas which make up all of us. Music filled with new energy; music which does not go unnoticed.