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La Flauta Mágica: Palau de la Música Catalana

Sobre el espectáculo

Die Zauberflöte (La flauta mágica) es un singspiel (Vodevil cómic, un tipo de ópera popular cantada en alemán, en el que se intercalan partes habladas.) En dos actos de Wolfgang Amadeus Mozart y Libreto de Emanuel Schikaneder.

Es la última ópera escenificada del compositor y posiblemente la más conocida e internacionalmente representada. Fue estrenada en Viena (Austria) en septiembre de 1791.

Una de las óperas más aclamadas en todo el mundo, creada para disfrutarla público de todas las edades, incluye fragmentos tantos brillantes y célebres como la espectacular aria de la Reina de la noche 'Die Holle Rache', de un virtuosismo y inspiración como pocas, además de arias, dúos o tercetos cómics, y concertados de inigualable belleza musical.

FICHA ARTÍSTICA

Orquestra Terrassa 48
Xavier Puig, Dirección musical
Jesús Fernández, Dirección escénica
Roberto Laborda, Dirección coro
Sergi Giménez, Dirección Artística

Ballet NovAria / Cor NovAria

OPINIÓN DE LOS USUARIOS

4.0 de 5

  • Chris D, United Kingdom

    nov 2018

    A beautiful concert hall though of course more suited to concerts than opera, both for stage limitations and the seating which is not really sloped, so views are not perfect. Many would criticise that there were no surtitles; I expect this was announced but we simply assume there will be. However the story is such a simple one that it is reasonable enough to manage without. The Queen of Night’s performance was salutary and I much enjoyed listening to such difficult arias sung pretty well. I also enjoyed the fact that somehow the performance managed to preserve some of the Masonic spiritual elements without totally occluding them in pantomime or ‘modernism’. I came to Barcelona especially to see the performance and was not disappointed. As a side‐note, could I recommend (for anyone wanting to understand a little more about Mozart) the excellent documentary by Seventh‐Arts. It’s in the Black Friday sale just now and better than most treatments of the subject. Kind regards, and thank you to all who put their hearts into this performance.

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