• Vivaldi's Four Seasons Meets Bach's Masterpieces
    Vivaldi's Four Seasons Meets Bach's Masterpieces

Vivaldis Vier Jahreszeiten treffen auf Bachs Meisterwerke

Rom, Chiesa di S. Paolo entro le Mura — Sala 1

Freie Sitzplatzwahl  1 h 30 min  E-Ticket sofort Als Gutschein verschenken

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$ 60

Über die Veranstaltung

Reisen Sie mit dem Barockorchester "Opera in Roma" bei diesem Konzert mit Barockmusik ins 18. Jahrhundert zurück.

Das Barockorchester "Opera in Roma" und international bekannte Solisten schaffen in der Kirche St. Paul innerhalb der Stadtmauern eine besondere Atmosphäre. Vor allem die Auswahl der Werke vermittelt den Eindruck eines authentischen Barockkonzerts!
Auf dem Programm der Konzerte steht nach den Meisterwerken von Bach das berühmte Konzert für Solovioline 'Die vier Jahreszeiten' von Antonio Vivaldi, das voller musikalischer Lautmalereien ist, die Sie durch die Jahreszeiten führen werden. Träumen Sie sich durch ein Jahr voller blühender Wiesen, unbarmherziger Sommersonne, reicher Ernten und glitschigem Eis.

Genießen Sie das Barockorchester "Opera in Roma"!


Johann Sebastian Bachs Orgelmeisterwerke Ca. Dauer 10 — 15 Minuten
Ein Stück aus dem folgenden Repertoire:
Toccata, Adagio et Fuga in C‐Dur BWV 564
Toccata und Fuge in d‐Moll BWV 565
Präludium und Fuge in D‐Dur BWV 532
Präludium und Fuge in Es‐Dur BWV 552
Fantasie und Fuge in g‐Moll BWV 542
Präludium und Fuge in h‐Moll BWV 544
Passacaglia et Thema fugatum BWV 582

Johann Sebastian Bach Ca. Dauer 15 Minuten
Aria — Gavotta I und II — Giga aus der Orchestersuite 3 D‐Dur BWV 1068.

Antonio Vivaldi Dauer ca. 45 Minuten
Die vier Jahreszeiten:
Konzert Nr. 1 E‐Dur, op. 8, RV 269, "Frühling" (La primavera)
Largo e pianissimo sempre
Allegro pastorale (in E‐Dur)
Konzert Nr. 2 in g‐Moll, Op. 8, RV 315, "Sommer" (L'estate)
Allegro non molto
Adagio e piano — Presto e forte
Konzert Nr. 3 in F‐Dur, Op. 8, RV 293, "Herbst" (L'autunno)
Adagio molto
Konzert Nr. 4 in f‐Moll, Op. 8, RV 297, "Winter" (L'inverno)
Allegro non molto

Nützliche Informationen

Bitte legen Sie bei der Abholung reduzierter Karten einen entsprechenden gültigen Nachweis vor, der Sie zum Erwerb berechtigt.

Besetzung / Stab


Trompete: Flavio D' Antonio
Violinsolist: Francesco Malatesta/ Soichi Ichigawa
1. Violine: Roberta Palmigiani/Fausta Sparasci
2. Violine: Valentina Macioti/Francesco Malatesta
Cello: Enrico Peluso/Flavio Malatesta
Viola: Orazio Vicari/Alessandra Monacelli
Cymbal & Orgel: Stefano Vasselli

Chiesa di S. Paolo entro le Mura

The 'Church of St. Paul within the Walls' was the first non-Catholic church built in Rome after Italy's unification. The church was built between 1873 and 1880 as an Anglican Basilica in the district of Castro Pretorio, Via Nazionale, Rome. Constructed in the Gothic Revival style, the distinctive external facade is characterised by alternating red and limestone bricks. Four spectacular mosaics by the English pre-Raphaelite Edward Burne-Jones, in collaboration with William Morris, are the crowning glory of the church's interior. The eagle-eyed will spot several famous nineteenth-century figures among those representing the fathers of the church in the elaborate mosaics, among them the artist himself, notable donors and their families, and Abraham Lincoln, Giuseppe Garibaldi and General Grant among the 'Christian Warriors'. Many delightful classical events are hosted in this location, including performances of popular operas like La Traviata.

Johann Sebastian Bach

The name Bach and the word musician had long been synonyms in Germany as the world saw 56 musicians from this kin. But it was Johann Sebastian Bach, a genius composer and virtuoso organ player, who shed lustre on his family name. He was born on th 31st of March 1685 in Eisenach, a small town in Thuringia. At the age of 10 he became an orphan and was brought up by his elder brother Johann Christoph, who was an organist in a neighbouring town. His brother was the one to teach music to the young Johann Sebastian. Later he moved to Luneburg where he attended a church school and mastered the techniques of playing violin, viola, piano and organ by the age of 17. Besides that, Bach was a choir singer and later after his voice broke he became a chanter’s assistant. In 1703 Bach was hired as a court musician in the chapel of Duke Johann Ernst III. He earned such a good reputation there that he was later invited to Arnstadt to be an organist at the New Church, where he wrote his best organ works. In 1723 he moved to Leipzig to be a chantor at St. Thomas Church where he stayed until his death of a stroke in 1750. In the year of his death he had undergone unsuccessful eye surgery which lead him to lose his eyesight. During that strenuous time his second wife Anna Magdalena helped him to write his last musical pieces. Bach’s artistic legacy is vast. He created compositions in all genres of the time: oratorias, cantatas, masses, motets, music for organ, piano and violin.

Antonio Vivaldi

Antonio Vivaldi went down in history as a creator of the instrumental concert genre and the father of orchestral music. He was born in Venice on the 4th of March 1678. Vivaldi was a weak and sickly child suffering from asthma, however could not stop him from devoting himself completely to music. His father, Giovanni Batista a professional violinist, taught his elder son Antonio to play the violin. With his father young Antonio met the best musicians of Venice of that time and gave concerts in local churches. He also worked as a violin teacher and later as a music director at the orphanage Ospedalle della Pieta. Meanwhile he composed concertos, sacred works and vocal music and in 1713 he achieved great recognition with his sacred choral music. Vivaldi got captivated by the world of opera and worked both as opera composer and impresario at the Teatro San Angelo. In 1717 he obtained a prestigious position by the prince court in Manua as a director of secular music and worked there until around 1720. During that time he composed his world-renowned masterpiece The Four Seasons. In the 1730's his career dwindled as his music became unfashionable and the great composer died in poverty. It took the world two centuries to rediscover and reevaluate Vivaldi’s music, as it was buried into oblivion after his death. In the early 20th century many previously unknown works were found and immediately captured the hearts of the music lovers.


4.2 von 5

  • Konstantinos V, Greece

    Mär 2024

    We had a great evening. The the selected pieces were very well performed and the church was also very nice.

  • Maria Rosaria T, Italia

    Mär 2024

    Un'interpretazione favolosa, coinvolgente. Tutti i componenti sono stati bravissimi, un plauso particolare al pianista e soprattutto al primo violino. Esperienza da ripetere.

  • Aug 2022

    Excelent performance ???

  • Lucile A, Suisse

    Mär 2019

    Splendid !!!

  • Dominique C, Belgique

    Mär 2019

    Tres belle soirée

  • Cristian C, Italia

    Dez 2018

    Esperienza sublime, ho rivissuto i capolavori di bach al meglio, estasiato dalla bravura lirica di lady mariangela. Vivaldi rappresentato al meglio, la mia signora si è commossa non riuscendo a mantenere l'emozione. In fine, le pennette all'arrabbiata hanno rappresentato al meglio la tradizione romana, esaltando il nostro palato. Grazie per l'esperienza.

  • Heiko R, Italien

    Okt 2018

    Die Abwicklung hat reibungslos funktioniert. Ich kann Classictic nur empfehlen. Danke.

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Chiesa di S. Paolo entro le Mura, Via Nazionale 16a, Rom, Italien — Google Maps

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