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Jupiter‐Symphonie: Wiener Philarmoniker

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There is perhaps no other musical ensemble more consistently and closely associated with the history and tradition of European classical music than the Vienna Philharmonic. In the course of its over 160 year history, the musicians of this most prominent orchestra of the capital city of music have been an integral part of a musical epoch which due to an abundance of uniquely gifted composers and interpreters must certainly be regarded as unique. Since its inception through Otto Nicolai in 1842, the fascination which the orchestra has exercised upon prominent composers and conductors, as well as on audiences all over the world, is based not only on a homogenous musical style which is carefully bequeathed from one generation to the next, but also on its unique structure and history. The desire to provide artistically worthy performances of the symphonic works of Mozart and Beethoven in their own city led to the decision on the part of the court opera musicians to present a 'Philharmonic' concert series independent of their work at the opera, and upon their own responsibility and risk. The organizational form chosen for this new enterprise was democracy, a concept which in the political arena was the subject of bloody battles only six years later. Over the course of one and a half centuries, this chosen path of democratic self‐administration has experienced slight modifications, but has never been substantially altered.

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