Salle Pleyel: Orchestre Révolutionnaire et Romantique

О событии

At the intersection of the spheres (sacred and profane) and of the genres (symphonic, vocal), Haydn's final oratorio seems to have been created for an orchestra which is at the junction of the different styles.

The English conductor Sir John Eliot Gardiner increased the sonority and the size of his orchestra to adapt it to the repertoire of early Romanticism.