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Théâtre des Champs-Élysées: Magdalena Kozena

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Magdalena Kožená is established as a major concert and recital artist. From 1987 until 1991 she did Vocal and piano studies at Brno Conservatory with Neva Megová and Ji?í Peša. Until 1995 she was a Student of Eva Blahová at Bratislava Drama College.

1995 she was among the Prizewinners at the Sixth International Mozart Competition in Salzburg and did extensive tours of Japan and the USA. 1999 she signs an exclusive contract with Deutsche Grammophon. In 2000 she won the Echo Klassik as ”Best New Artist” During the last years she sang at many different concert and opera houses in Europe. Among her performances at Festivals are the Salzburg Festival, the Edinburgh Festival, Aix‐en‐Provence and the Baden‐Baden Festival. Other summer festival appearances include Mostly Mozart in London at the Barbican, Verbier, Utrecht Festival of Early Music, Schubertiade Schwarzenberg.

In the season 2004/05 Magdalena Kožená wins one of classical music’s most prestigious prizes: she is named ”Artist of the Year” in the 2004 Grammophone Awards. Her new season begins with her Idamante in Idomeneo with Myung‐Whun Chung and the Santa Cecilia Orchestra in Rome and Varvara in Kátya Kabanová at the New York Met; at the end of the season she sings in Cavalli’s La Calisto at the Bavarian State Opera in Munich.

Concerts featuring Mozart and Myslive?ek with Concerto Köln in France and Germany; Bach concerts with Reinhard Goebel and Musica Antiqua Köln in Germany, France and the Netherlands and recitals with Malcolm Martineau in Germany and Austria. The season 2005/06 will bring concerts in Berlin and Frankfurt with the Berliner Philharmoniker and Sir Simon Rattle; extensive European tours featuring Monteverdi and Haendel with the Basle Chamber Orchestra, countertenor David Daniels and conductor Paul Goodwin; Haydn and Mozart arias with the Orchestra of the Age of Enlightenment under Rattle; and further recitals with Malcolm Martineau.

Giovanni Antonini, direction

C. P. E. Bach : Symphonie en ré majeur W. 138/1
Mozart : « Per pietà », air de Fiordiligi extrait de
Così fan tutte
« E amore un ladroncello », air de Dorabella extrait de Così fan tutte
« In uomini, in soldati », air de Despina extrait de
Così fan tutte
« Deh per questo », « Parto, parto », airs de Sesto extraits de La Clemenza di Tito
« Non più di fiori», air de Vitellia extrait de
La Clemenza di Tito
Symphonie n° 40 en sol mi mineur K. 550

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