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Sir Andras Schiff Concert at the Pierre Boulez Saal

About the Event

Explore the beauty of piano music at Pierre Boulez Saal in Berlin, where masterworks from Bach come to life in this incredible performance.

About the Composer

The name Bach and the word musician had long been synonyms in Germany as the world saw 56 musicians from this kin. But it was Johann Sebastian Bach, a genius composer and virtuoso organ player, who shed lustre on his family name. He was born on th 31st of March 1685 in Eisenach, a small town in Thuringia. At the age of 10 he became an orphan and was brought up by his elder brother Johann Christoph, who was an organist in a neighbouring town. His brother was the one to teach music to the young Johann Sebastian. Later he moved to Luneburg where he attended a church school and mastered the techniques of playing violin, viola, piano and organ by the age of 17. Besides that, Bach was a choir singer and later after his voice broke he became a chanter’s assistant.

In 1703 Bach was hired as a court musician in the chapel of Duke Johann Ernst III. He earned such a good reputation there that he was later invited to Arnstadt to be an organist at the New Church, where he wrote his best organ works. In 1723 he moved to Leipzig to be a chantor at St. Thomas Church where he stayed until his death of a stroke in 1750. In the year of his death he had undergone unsuccessful eye surgery which lead him to lose his eyesight. During that strenuous time his second wife Anna Magdalena helped him to write his last musical pieces. Bach’s artistic legacy is vast. He created compositions in all genres of the time: oratorias, cantatas, masses, motets, music for organ, piano and violin.

About the Venue

The Pierre Boulez Hall is the hall of the Barenboim‐Said Academy. Designed by Frank O. Geary, the hall opened in March 2017 in Berlin, Germany. The hall was named in tribute to French conductor and composer Pierre Boulez, a name suggested by the Argentinian‐Israeli pianist and conductor Daniel Barenboim. Despite being essentially a chamber venue, the structure has a cuboid shape that can accommodate medium‐sized orchestras, and up to 682 visitors. Architect and musicians alike seek to offer a 360 degree perspective on music, combining styles, cultures and viewpoints in the space.

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