Ainhoa Arteta & OCM: Palau de la Música Catalana

Palau de la Música Catalana, Barcelona - Concert Hall

Sunday
28 Apr
17:30

Ainhoa Arteta & OCM: Palau de la Música Catalana

Palau de la Música Catalana, Barcelona - Concert Hall

Category
Quantity

Sum: 55,00

Classictic Discount: 11,00

 
44,00
Incl. VAT
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Sunday
28 Apr
17:30

Ainhoa Arteta & OCM: Palau de la Música Catalana

Palau de la Música Catalana, Barcelona - Concert Hall

Assigned seating
You will be assigned the best seats available in the chosen category at the time of purchase.
See ticket delivery information
You will receive the e-Ticket immediately after your purchase.
Category
Quantity

Sum: 55,00

Classictic Discount: 11,00

 
44,00
Incl. VAT

Please note, this item is already in your cart.

The item you selected is already in your cart. Are you sure you want to add this item?

Cancel Confirm

Sunday
28 Apr
17:30

Ainhoa Arteta & OCM: Palau de la Música Catalana

Palau de la Música Catalana, Barcelona - Concert Hall

Category
Quantity

Sum: 55,00

Classictic Discount: 11,00

 
44,00
Incl. VAT
Assigned seating
You will be assigned the best seats available in the chosen category at the time of purchase.
See ticket delivery information
You will receive the e-Ticket immediately after your purchase.

Please note, this item is already in your cart.

The item you selected is already in your cart. Are you sure you want to add this item?

Cancel Confirm

About the Event

Enjoy an exquisite performance with Spanish classical and crossover soprano, Ainhoa Arteta, and the Orquestra Simfònica Camera Musicae at one of Barcelona's most beautiful landmarks, the Palau de la Música Catalana.

THE FASCINATION THAT NOTHING LOOKS DIFFICULT

Goethe expressed his admiration for the way in which Beethoven had musicalized his play Egmont (1809-1810) as he had perfectly described it: the heroism of the Count of Egmont who fought against the oppression of the people until his death. Even if we only listen to the overture, we will be able to hear the suffering of those who feel without freedom and the challenge and the hope of reaching it.

The last four songs (1948) composed by an octogenarian Richard Strauss also represent a challenge for the sopranos who have to combine their lyrical demands with the interpretation of the content of the three poems of Hesse (Spring, September, Going To Sleep) and the one of Eichendorff (In the Twilight). The portentous voice of Ainhoa Arteta, who has been singing for more than a decade, and her interpretative acumen make it seem that there is no such difficulty and she manages to delight us from beginning to end.

Schumann's second symphony (1846) takes on features of composers that he admired (Beethoven, Mendelssohn, Bach) but with his own personality, in which his emotional instability gives his works a sensitivity, energy and univocal meaning. The four movements arise from the desire to overcome difficulties.

Program

  • Beethoven, Ludwig van
    Egmont Overture in F minor, op. 84
  • Strauss, Richard
    Four Last Songs for Soprano and Orchestra
  • Schumann, Robert
    Symphony No. 2 in C major, op. 61
Program is subject to change

Artists

  • Arteta, Ainhoa (Soloist)

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