チケット販売の最終締め切りFriday, February 17th 2012. 21:00

プログラム

Chopin, Frederic:
Various Works

Beethoven, Ludwig van:
Various Works

Mozart, Wolfgang Amadeus:
Various Works

de Arquer, Luis:
Improvisations

(プログラムは変更される場合もございます)

イベント情報 'ソロ・ピアノ'

毎週土曜日、バルセロナの小さな劇場で開催されるピアノのコンサート・シリーズ。ニューヨーク・タイムズ・トラベル・ガイドが「バルセロナで恐らく最も魅力的な音楽の夜。」と高く評価したコンサート・シリーズをお楽しみください。

コンサート・ピアニストで映画音楽の作曲家のLuis de Arquerがショパン、ベートーヴェン、モーツァルトの名曲や自身の作曲した作品を演奏します。
 
コンサート終了後にはキャンドルライトで灯された庭園でシャンパンをお楽しみ頂けます。

最新アップデート 2012年Classictic.com編集チーム

"Classicticはコンサートやフェスティバルをプロモーションしたい売り手側と簡単にクラシック・コンサートを検索、チケットを手軽に購入したい買い手側を結びつけるリンクとなっている。 Classical Music Now(イギリスのクラシック音楽専門誌)、2010年7月号

クラシック音楽ファン達で結成されたチームがインターナショナルかつ、全てのカスタマーのニーズに合致しうるサービスをオファーしようと努力している姿は見る者にとても清々しいものを感じさせる。"Muso Magazine(イギリスのハイセンスなクラシック音楽雑誌)、2010年7月号

アーティスト

de Arquer, Luis

,
He began his studies in Cerdanyola del Vallés, a small town near Barcelona, coming from a family of great artists and music lovers. During his first lessons, one of Beethoven’s sonatas interpreted by his first teacher, Lolita Martínez, made such a profound impact on him that it was at this moment he decided to dedicate his young life to music. At the tender age of seven, he improvised different styles on the piano, including Bach, Chopin and Beethoven, captivating the public with his enormous ability and musical imagination. His rapid progress opened the door to the Academia Marshall in Barcelona; a meeting place in the past for the finest musicians of the time: Granados, Falla, Albéniz, Turina, and interpreters of the calibre of Rubinstein, Arrau, Katchen, Nikita Magaloff and Rosa Sabater. He finished studies with First Prize and special commendation from the Board! Carlota Garriga, his teacher, the great soloist Alicia de Larrocha and composer Xavier Montsalvatge were inspired by his talent and decided to support him so that he could continue his studies at L’Ecole Normale de Musique de Paris. Here, thanks to a scholarship from the Generalitat de Catalunya, he perfected his study technique under Aquiles Delle-Vigne. Unfortunately, even having obtained the best qualifications and having been invited by special request to attend a school for exceptionally gifted musicians in Brussels, he was not awarded a second scholarship. The young musician thus experienced a difficult and unstable time of irregular concert work due to a lack of available support and management. Nevertheless, he always received wonderful reviews which hailed him an extremely sensitive, original and talented interpreter. He performed in Ecuador, Switzerland and France, in recitals in Spain, and in concerts with various Spanish and foreign orchestras. All his previous artistic experience would provide Luis de Arquer with both an artistic and technical foundation from which would develop the most surprising facet of his work, and that which today arouses the greatest interest: his compositions and improvisations. Improvisation is the most direct link between musical imagination and music per se. To be completely fluent, it requires the highest technical mastery of the instrument combined with acute musical and rhythmical intuition. Beethoven, Chopin, Granados and Liszt improvised in public in their concerts, all absorbing themselves in their musical worlds. Luis de Arquer gives us the chance to hear something unique, created in the moment and very freely developed. His improvisations enable us to hear directly the soul of a musician, without imposing filters of any kind, nor stylistic nor musical genre constraints like Jazz or Blues, nor preknown structures. His compositions —pieces for piano, operas, anthems, chamber music, and cinema, documentary and advertising soundtracks— are all absorbed from this place, from this personal well of ideas which make up all of us. Music filled with new energy; music which does not go unnoticed.