Brussels
DeFilharmonie
| Day/Time: | Thursday, January 29th 2009. 20:00 |
| Venue: | Palais des Beaux-Arts, Brussels |
Monumentum pro Gesualdo di Venosa, Mass, Symphonie de psaumes
Choral-Variationen über das Weihnachtslied "Vom Himmel hoch da komm' ich her" (arr. I. Stravinsky)
The programm of the season 2008/2009 includes works of russian composers as Tchaikovsky, Stravinsky and Shostakovitsch, aswell as works of Mendelssohn, Bruckner and Mozart. The musical director Phillippe Herrewhege and and the new chief conductor Jaap van Zweden meet with such excellent musicians as Rudolf Buchbinder, Simon Trpceski or Yossif Ivanov. The Royal Flemish Philharmonic has evolved into a modern, stylistically flexible symphony orchestra. This ensemble has gained an artistic suppleness that permits it to interpret a variety of styles - from Classical to Modern - in a historically authentic manner.
Enjoy this outstanding ensemble in a series of concerts in Brussels!
Herreweghe, Philippe, Conductor
Philippe Herreweghe is a Belgian conductor. He is principally known as a conductor of Johann Sebastian Bach, the German composer who wrote over one thousand works. He is regarded by leading Bach scholars today as a founding father of the baroque authentic practice, original instrument movement and one of record label Harmonia Mundi\'s most prolific recording artists, with over sixty albums to his name. His early training as a chorister and assistant choirmaster in a Jesuit school was complemented by piano studies at the Ghent Conservatory. At university Herreweghe studied psychiatry and formed a 12-person choir devoted to the revolutionary performing practices of Gustav Leonhardt, Ton Koopman and the Kuijken brothers.
deFilharmonie, Orchestra
Collegium Vocale Gent, Choir
Collegium Vocale Gent was founded in 1970 on the initiative of Philippe Herreweghe.
It was one of the first ensembles to use the then-new ideas about baroque practice in vocal music performances. Musicians such as Gustav Leonhardt, Ton Koopman and Nikolaus Harnoncourt immediately took an interest in the Flemish ensemble’s fresh, new approach, which led to intensive collaboration.
In the mid-1980s the ensemble acquired international fame and was invited to all the major concert halls and music festivals of Europe, Israel, the United States, Russian, South America, Japan, Hong Kong and Australia.
















